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Previous Next As we approach 2025 and the end of the 21st century’s first quarter, we wanted to look back to see which actors, actresses, directors, and movies have stood the test of time. With that in mind, for the rest of the year, the Bitesize Top Five will be giving a consensus view on what we think are the Bests of everything since 2000. We are only looking at work released since January 1, 2000, so don’t get mad because your favourites of the 90s didn’t make it. Over the next four months we will do Top Five Dramas, Comedies, Horrors, and Action Films of this century. For our purposes, we worked with the idea that every movie falls under one of those broad umbrellas. It’s imperfect, but it felt like the best course of action. As always, each writer ranks his or her top 15 in the category. Those lists are then weighted on a reverse point system. After all the points are tallied up, the entries with the most total points make up the Bitesize Top Five. 5. INGLOURIOUS BASTERDS One cannot discuss the greatest dramas of the 21st century without mentioning the gem Inglourious Basterds . Even writer-director Quentin Tarantino ends his amazing film with the final line "I think this just might be my masterpiece," which is 100% him talking about his work on the movie. For all movie lovers, Inglourious Basterds is essential viewing because it's incredibly engaging with shock value, dramatic moments, suspense, and humorous beats. Plus, the screenplay is razor-sharp, Tarantino's directing is superb, and its ensemble pulls off fantastic performances. As a die-hard Tarantino fan, I not only think this is his best movie to date, but one of the best films ever. - Paige 4. WHIPLASH Whiplash is a film that, regardless of someone’s taste or preferences, I’ll always recommend. Damien Chazelle’s intense, ambitious, and riotously entertaining film explores the limits an artist is willing to push themselves to achieve greatness, and infuses it with an adrenaline-fuelled nervous energy that simultaneously paralyses you while keeping your heart racing. Chazelle uses drum solos as nerve-shredding dramatic set pieces and riveting dialogue to keep you on the edge of your seat, completely immersing you in the volatile relationship between student and mentor. The cast also is faultless, and J.K. Simmons’ pitch-perfect performance as the formidable Terence Fletcher is one of my favourites in any film. - Katie 3. PARASITE Recency bias is looking less and less likely with every passing year for director Bong Joon Ho’s thrilling epic Parasite . Even before the massive twist that slapped everyone in the face, this tense game of class warfare had you at the edge of your seat wondering how the Kim family might pull off their long con. But that twist does happen, and the seat to which you were grasping onto is now a thing of the past. The Oscars confirmed that everything from the writing, directing, and pacing were best of 2019, but the ensemble (especially Song Kang-ho’s harrowing patriarchal turn) also matches that greatness. This is an instant classic whose hype as one of the best of this century is more than warranted. - Amarú 2. ETERNAL SUNSHINE OF THE SPOTLESS MIND Eternal Sunshine of the Spotless Mind is the kind of film that you watch while just being grateful that it exists. A romance mixed with science fiction, not to mention some psychological thriller thrown in, it is a breathtaking, brilliant, and thought-provoking masterwork about our perception of love and connection to others. Everything from Jim Carrey’s and Kate Winslet's heartbreaking performances to Michel Gondry's direction that elicits incredible shots and demonstrates nuance to the Oscar-winning script that is still analyzed and talked about today, everything about Eternal Sunshine is iconic. While some have tried to varying degrees of success to replicate this lightning in a bottle, it will forever be one of a kind. - Adriano 1. THE DEPARTED The Departed is almost hard to classify as a drama because of the intensity within each scene and the heart-racing anxiety it induces. Director Martin Scorsese uses an absolute all-star cast to wind up a plot that is teaming with twists, turns, and tension. The best films coax the viewer into the situation playing out in front of them, and The Departed is the epitome of such a temptress. Who can you trust? Who am I rooting for? What the hell just happened?! These are exactly the kinds of questions you yearn to be asking during a great film of this ilk. Throw in some Boston accents, gang play, complicated romance, humor, undercover police work, murder, Jack Nicholson’s special kind of crazy, with a sprinkle of American patriotism, and you have a recipe for something truly fantastic. - Preston HONORABLE MENTIONS CATCH ME IF YOU CAN ARRIVAL ALMOST FAMOUS LA LA LAND CHILDREN OF MEN

Previous Next October 21, 2022 WRITTEN BY: NICK With Bitesize Breakdown sending three writers to TIFF this year, we decided that each of our individual feature articles should be done in a different style. With that in mind, I wanted to recap my festival experience with a daily journal. All said and done, I saw nearly 40 movies in 11 days. I walked away with some highs that I fully expect to make my “Best of 2022” list, and while there were some lows too, there were few things I actively hated. That said, my favorite takeaway is all the wonderful people I got to meet: fellow critics, eager film fans, and the TIFF volunteers and coordinators. Plus, this was the first time three Bitesizers had been in the same city at the same time (one of which I was meeting in person for the first time). They all made my first TIFF a memorable experience, and they’re just another reason I’m already looking forward to next year. Now, please follow along with the Week One perspective of a first time TIFF critic, and come back on Monday to close out the experience with Week Two. Enjoy the ride... DAY ONE NANNY My first film of TIFF was always going to have the unenviable task of setting the tone for the rest of the festival. It would be the film I ranked all other movies against, and, perhaps unfairly, a film saddled with a certain level of hype regardless of what it was. For me, that film was Nanny . I added this film to my schedule based on another critic’s recommendation, and even though it didn't quite work for me, I understand where the recommendation came from. Anna Diop is spectacular in the lead role, and her chemistry with co-star Sinqua Walls is magical. Unfortunately, the story doesn’t take advantage of this fact while managing to introduce too many ideas and commit to none of them at the same time. THE INSPECTION My opening night closed out with Elegance Bratton’s The Inspection . This was one of my most anticipated films, and it did not disappoint. Bratton crafted an incredibly heartfelt and personal story, which became even more clear as the director shed tears at the Q&A following its debut. In fact, it’s evident on screen that this film clearly meant something to the entire cast and crew. Of the films I caught that neither of my fellow Bitesize writers were able to, this was easily their biggest mistake. DAY TWO WEIRD: THE AL YANKOVIC STORY Weird was probably one of the more intriguing films of the festival, so I was happy to start Day Two with an early morning screening of it. The idea of an Al Yankovic biopic is curious enough, but then you add Daniel Radcliffe in the starring role… and, oh, did I mention it’s being released as a Roku Original? It all makes Weird an apt title. Although I liked it more than I loved it, this film was 10 years in the making, so it just seeing the light of day is a great story. ROOST Due to scheduling, Roost was a film I almost had to cut, but I’m so happy I found a window for it. It’s not the thriller it’s promoted as, but it is a well-acted drama that kept me locked in through its entirety. Kyle Gallner is the standout, making this the second festival film he’s made a splash with after fellow Bitesize writer Quentin raved about Dinner in America from Fantasia Film Festival 2020. BROTHER Clement Virgo’s Brother brought Day Two to an end. Growing up just outside of Toronto, I was particularly interested in this film since I know the area and people of Scarborough extremely well. Aaron Pierre especially captures the Scarborough vibe with his character; but there is something missing that just doesn’t make the film feel quite like the suburb I know. I had hoped the neighborhood would be more of a central character, but instead it feels a little generic. I’m aware that’s going to be a niche opinion since I’m from the area, and I expect others will enjoy it more without viewing it through that lens. DAY THREE THE WOMAN KING After five films, the festival had been very heavy on the drama, lacking anything to really get me out of my seat. Enter The Woman King . Gina Prince-Bythewood's feature is filled with badass women doing badass things, and I loved every minute of it. The performances are great across the board, while the film itself is enriched by the culture and history of the Dahomey warriors, a group I admittedly knew nothing about but came to learn are basically the real-life version of the Dora Milaje from Black Panther . The Woman King is also rife with awards-worthy and career-best showings from a number of actors, and I hope to see some acknowledgement of that come awards season. BLACK ICE Red Carpet Due to a lengthy break between films, I was able to cover the Red Carpet for the documentary Black Ice . I saw the film before the festival, so it won’t be included here (review to come), but everyone at TIFF deserves kudos for how easy they made it for Press, particularly creating a memorable first carpet experience for yours truly. I had the pleasure of speaking with fellow critic Peter Gray on Press Row, where we saw the likes of NHLers PK Subban, Wayne Simonds, and Anthony Duclair…names lesser known to the Australian critic as our sport isn’t quite as popular in his neck of the woods. I even got to discuss diversity in hockey with current Stanley Cup Champion and former Toronto Maple Leaf Nazem Kadri. Toss in a surprise appearance by Hayden Christensen, and it was an unforgettable experience. THE MENU After covering the Black Ice premiere and watching the stars arrive for Glass Onion ‘s Red Carpet (more on that film tomorrow), it was time for The Menu . I knew this devilish tale would be right up my alley, and I was correct. The writing supersedes any one performance, so you feel like you’re being taken on the same ride as the characters in the movie. It’s fantastic! Also, it was the only premiere that made it feel special to be there. There were gift bags with travel mugs waiting on our seats when we arrived, and upon the film’s conclusion, they were handing out food from the film’s menu via a local food truck. That’s how it’s done. This is one of the biggest film festivals in the world, and going that extra mile is something more films should have considered. DAY FOUR GLASS ONION: A KNIVES OUT MYSTERY With the success of Knives Out , Glass Onion had a ton to live up to. Sure, you have the highly anticipated return of Benoit Blanc (Daniel Craig) combined with a new cast of characters, but could the mystery surpass its predecessor’s? Yes, yes it could. Rian Johnson’s follow-up is a funnier film that may not reach the heights of the original, but it doesn’t fall short by much. It’s a great sign that Blanc has a lot of legs since Craig seems eager to take on yet another successful franchise. I expect this movie to break some Netflix records when it’s released later this year, and I already can’t wait for the next entry. It should also be noted that, at the Q&A following this 9am screening, Daniel Craig was admittedly hungover from the global premiere the night before, and watching him struggle to answer questions was genuinely hilarious. WENDELL & WILD Following the highs of Glass Onion , I almost immediately went into a screening for Wendell & Wild . My interest piqued when I heard there was a stop-motion children’s horror film being brought to life by the director of The Nightmare Before Christmas and emerging horror icon Jordan Peele. Sadly, this was a bit of a letdown. Yes, kids likely will enjoy it, but it felt familiar in all the cliché ways you'd want to avoid. I certainly didn’t hate it, and I have an infinite amount of respect for stop-motion animators, but the film itself doesn't match the quality of the visuals. THE GOOD NURSE Another entry from my most anticipated list was The Good Nurse . The true story of a nurse suspected of killing his patients, led by Oscar winners Jessica Chastain and Eddie Redmayne, seemed like a slam dunk. Nope. The film is dreary and devoid of personality, with a tone similar to Netflix’s The Unforgivable . However, unlike that film, the central performances can’t make up for the film’s many issues since they are relatively uninspired. On multiple occasions, I found myself sitting in the theatre actively waiting for the film to end. The fact that they wasted the story of maybe the most prolific serial killer in history on this slog is indefensible. SICK Day Four closed with my first Midnight Madness screening of the festival. The crowd at these showings are different animals. It’s a rowdy environment where people like to have fun, react loudly (a little too often) throughout the film, and relish in the fact that we’re all watching something in a packed house at 1am. It was a good environment in which to see Sick , a relatively generic slasher film with a COVID twist. It’s nothing special as a movie, but it was a fun way to end the day. This concludes Week One. If you thought that was a lot of films, just wait until Week Two when I finally get to see festival juggernauts The Whale , The Son , and The Fabelmans . Two I loved, one I hated. Tune in on Monday to find out which one was which! Photo Credits: TIFF

THE WALKING DEAD: THE ONES WHO LIVE Starring: Andrew Lincoln, Danai Gurira, Pollyanna McIntosh, Lesley-Ann Brandt, and Terry O'Quinn Creators: Scott M. Simple, Danai Gurira, and Andrew Lincoln NICK At its core, The Ones Who Live is a story of a man trying to find his way back home with his partner desperate to get him there. Andrew Lincoln and Danai Gurira make a welcome return as Rick Grimes and Michonne, respectively, with Gurira in particular doing perhaps her best work in the franchise. This series is a love story filled with dramatic moments, great emotional pay-offs, and yes, at times, some trademark The Walking Dead silliness… but although I've been high on the other recent spin-offs, this one just hits differently. Rick Grimes IS The Walking Dead , and this series just reaffirms that.

THE REGIME Starring: Kate Winslet, Matthias Schoenaerts, Guillaume Gallienne, Andrea Riseborough, Danny Webb, Henry Goodman, David Bamber, Rory Keenan, and Stanley Townsend Creator: Will Tracy QUENTIN Despite a muddled story that I struggled to stay engaged with, The Regime remains watchable due to Kate Winslet’s award-worthy and often hilarious performance. If you would enjoy the sharp-tongued barbs from Veep being spouted with total irreverence from a classy Brit, then you’ll find enough entertainment in these six episodes to at least pass the time. Quotes like “it looks like a baboon’s cock” and “it smells like a hog’s urethra” fall out Winslet’s mouth with such ease and delight that it’s hard not to find yourself laughing out loud even as you’ve lost interest in the narrative. CALEB While I didn’t love The Regime ’s worldbuilding, the quick-wit and quirky performances still make it a worthwhile watch. Kate Winslet delivers an unhinged performance as the psychotic Chancellor, blending snappy comedic timing with a considerable amount of emotional depth. The show shines when it’s indulging in its cheeky sense of humor, but falters whenever it takes itself too seriously. As the season crept towards its finale, the writing took a turn towards the overdramatic, and it slowly began to lose me. The Regime ’s attempts at political intrigue may fall flat, but at least it’s funny enough to make up for it.

THE UMBRELLA ACADEMY: SEASON FOUR Starring: Aidan Gallagher, Elliot Page, Robert Sheehan, Tom Hopper, David Castañeda, Ritu Arya, Justin H. Min, Emmy Raver-Lampman, and Colm Feore Creator: Steve Blackman PAIGE You will enjoy the final season of The Umbrella Academy if you watch it for the Hargreeves siblings antics. However, given the season's overall story and character choices made throughout, it's difficult for me to reconcile where the series ends. With the number of episodes reduced from ten to six, there is simply too much going on and not enough time to develop everything adequately. I found the whole plot to be rushed and lacking a satisfying resolution. Maybe I would have been more forgiving of the season's weaker moments if the finale had been more rewarding, but we'll never know.

Previous Next October 28, 2025 WRITTEN BY: KATIE I’m delighted to have had the opportunity to cover the BFI London Film Festival (LFF) again this year. LFF 2024 was my first film fest ever, and it was an incredible, overwhelming, and inspiring experience. The only difference with LFF 2025 is that I didn’t have to brave the Northern Line or wait in queues since I covered it remotely, from the safety of the southwest and the comfort of my living room. Thankfully, the somewhat limited viewing options in BFI’s digital library did not mean that I wasn’t able to watch some amazing, thought-provoking, and entertaining films, both shorts and features alike. I’m grateful that, even if I can't find the time to get to London, I can still experience the festival and some of the wonderful, diverse films that it has to offer. Watching the films at, essentially, my own leisure is a very different experience, but aside from some brief, blood pressure-raising Wi-Fi issues, a far more relaxed one. So, let's get into it. Here is my ranking of the 15 films I saw at LFF 2025. 15. FWENDS I found Fwends to be a testing watch. It centres on two friends who meet in Melbourne to catch up, and the camera follows them over the course of a somewhat disastrous day. Their loosely structured conversations feel like improv, but the actors give the impression they are unsure of themselves and directionless, which makes it all a little awkward. It doesn't help that the characters are cringey and irritating, so it's frustrating to spend so much uninterrupted time listening to them just chatting. Unfortunately, Fwends is not as quirky as it thinks it is, at least not in an engaging way. 14. NOSTALGIE Nostalgie is a thoughtful drama short that confronts a complicated moral issue through the ways in which a paramilitary group in Northern Ireland co-opts a popular song of a retired 80s pop star. The way the film reveals the complexities of the story is interesting, but I wish it had explored the issue a bit more and developed its protagonist further. The song itself is genuinely catchy and sounds authentically of the time, and the dreamy, glittery visuals during the song performance look lovely. Overall, although the performances are great, I wish it had dived deeper into the moral issue at its core. 13. FINDING OPTEL Finding Optel wasn't quite my cup of tea, but I appreciated its vibrant colour palette and playful, mischievous, and distinct visual style. It begins with a somewhat student film vibe, but it improves as it progresses to achieve a genuinely quirky and charming energy. It features some creative flourishes that are used a little too often, like the way it explains local slang through freeze-frames and on-screen definitions, but they are sometimes used too quickly in succession, which can make it all feel a little cluttered. Overall, Finding Optel makes for some light-hearted, family-friendly viewing, but feels unpolished. 12. BALEARIC Balearic has some compelling visuals and a menacing atmosphere, but it's sometimes too unsubtle in how it conveys its ideas. It looks gorgeous, with soft-focus, vibrant colours, and sun-soaked settings, reminding me of classic slasher films, accompanied by a synth-inspired soundtrack. At one point, it takes a surprising turn that, in the moment, filled me with dread; however, after the moment passed, I wasn't fully on board, although the film did continue to intrigue me. It explores how the actions of the wealthiest are detrimental to the environment through images of decadence and consumption against a background of wildfires, but I found it reinforced the same point for too long in different ways. 11. ELEPHANT FAMILIES Elephant Families gave me an insight into a vibrant and thriving Latino culture in London that I didn't know existed. It looks into how the demolition of the Elephant & Castle shopping centre affected those who worked and found community there through diverse stories that are tied together by their memories of the once bustling area. Those affected describe how, in the face of gentrification and displacement, they have worked to keep the unique community and culture alive. The thing I love most about London is the diversity and multiculturalism, and Elephant Families has given me an even deeper appreciation for that. 10. THE DEVIL SMOKES (AND SAVES THE BURNT MATCHES IN THE SAME BOX) The Devil Smokes (and Saves the Burnt Matches in the Same Box) is an ambiguous, deeply atmospheric film that is difficult to pin down. I found it slightly too cryptic to be consistently engaging, but it does effectively establish a palpable atmosphere laden with unease, as well as creating the setting of a dark, cluttered home that is insulated from the outside world. The young performers are amazing, with an authentic dynamic that draws you into their chaotic lives and unstable sense of reality. Although its pacing can be slow and sometimes confusing, I liked many aspects of the film. 9. GRANDMA IS THIRSTY Grandma is Thirsty immediately establishes an impressively unsettling tone, and it left me feeling very creeped out. The set design is great, with the odd-sized flat and use of perspective creating a very claustrophobic feeling. The score, made up of nerve-shredding string instrumentals, is also very unsettling. The incredibly unnerving combination of child actors with adult voices, creepy twins, a scary old lady, and questionable glasses of milk makes for an effective short horror film with a cheeky sense of humour. . 8. MORE LIFE More Life was more engaging than I thought it would have the capacity to be. It's the story of a group of young twentysomethings told through a series of Instagram Live videos, and it surprisingly manages to build some tension through the unique medium. It features incredibly realistic characters and performances with an authentic way of speaking. It explores the intricacies of male friendship dynamics, from the ways they performatively embarrass each other to more worrying issues involving implications that the group is aware of but chooses to ignore, such as a serious sexual assault allegation against one of the individuals. 7. WHAT MARIELLE KNOWS What Marielle Knows is driven by a compelling premise that, whilst not executed perfectly, is still enough to be entertaining and intriguing. Although Marielle (Laeni Geiseler) isn't developed enough beyond her inconvenient telepathic abilities, the story is really about her parents and the darkly funny middle-class satire, calling out their selfishness and, ultimately, disinterest in their daughter's well-being compared to their own desires. The performances by Felix Kramer, Julia Jentsch, and Geiseler are pitch perfect. As far as German comedies go, the film is awkward, tense, and subsequently funny in a twisted way. 6. ISLAND OF THE WINDS Island of the Winds presents an intimate and in-depth account of the daily lives and struggles of the residents of Taiwan's Lesheng Sanatorium, captured by filmmaker Hsu Ya-Ting over two decades. This impressive and moving documentary looks at how those affected by leprosy have been persecuted and isolated by their government's cruel treatment, as well as the residents' admirable determination to fight their mistreatment. It reveals what can happen when communities come together to support the best interests of the most vulnerable among them, and it visually archives the deeply important history of its subjects. 5. COYOTES Coyotes is an impressively tense and engaging short that, at just 20 minutes, grabs your attention and maintains a menacing atmosphere. It has great performances, especially Ali Suliman as the quietly threatening Mukhlis, whose unnerving presence meant I hardly breathed through its perfectly paced runtime. It looks at how injustice and political oppression impact a Palestinian surgeon, who is blackmailed due to her sexuality, through the lens of the thriller genre. It pulls it off very well, and I'd love to see the story expanded in a feature-length film. Still, the short film is fantastic, regardless. 4. THE ASSISTANT The Assistant is a compelling, if strange and sometimes alienating, film. Following Joseph (Piotr Trojan) as he secures a job as an assistant for an eccentric, self-important inventor, it examines how the cycle of poverty is perpetuated by the unfair dynamic between employers and employees. It features an alluring, electronic-inspired score that ranges from ambient to unnerving, juxtaposed with a non-specific period setting infused with elements of the modern world. A film of this experimental style can be a bit testing at over two hours, but there's enough ambition and beautiful cinematography that, overall, I was charmed by The Assistant. 3. THE BLUE TRAIL Set in a near-dystopian Brazil, where the elderly are forcibly sent to a colony to retire at a certain age, The Blue Trail follows 77-year-old Tereza (Denise Weinberg) as she embarks on an odyssey of sorts to evade arrest and buy her freedom. I enjoyed the unique concept and absurdity of the government's discriminative approach, but the film is more about Tereza's self-discovery, set to a dreamy, lo-fi soundtrack alongside beautifully shot images of the Amazon. At just 87 minutes, The Blue Trail is a brief and beautiful exploration of how Tereza chooses to explore her desires and live freely of labels and expectations. 2. OLMO Olmo is a moving, beautifully shot, and unique coming-of-age story that explores the bonds of family and childhood innocence. It follows Olmo (Aivan Uttapa) on his quest to impress his next-door neighbour after he is left with the responsibility of caring for his bedridden father, Nestor (Gustavo Sánchez Parra). The story is bittersweet but also full of warm humour, following Olmo’s attempts to juggle his newfound responsibility with impressing his crush. It has a very American indie vibe that highlights Olmo’s difficult family situation against his teenage desire for independence in a way that is absurdly funny yet also sincere and touching. 1. STRAIGHT CIRCLE Straight Circle is hard to talk about without explaining it, but how it begins versus how it ends is impressively deranged yet deeply affecting and moving. I’d encourage anyone to go into this striking film as blindly as possible, as I did, for a truly unique experience. It’s visually distinct and experimental, barreling from satire to a compelling existential nightmare. The performances from identical twins Luke and Elliot Tittensor are Nicolas Cage-levels of insane, dedicated, physically demanding, and incredible acting. Their performances range from masterful slapstick comedy to unnerving and harrowing. I’m looking forward to what director Oscar Hudson does next.

X MEN '97: SEASON ONE Starring: Ray Chase, Jennifer Hale, Alison Sealy-Smith, Cal Dodd, J.P. Karliak, Lenore Zann, George Buza, A.J. LoCascio, Holly Chou, Isaac Robinson-Smith, Matthew Waterson, Ross Marquand, Gui Agustini, and Adrian Hough Creator: Beau DeMayo QUENTIN If you read my review for Invincible : Season Two, you’ll know that I’ve given up on that show, and X-Men ’97 played a notable role in that decision. The truth is that X-Men is everything that Invincible wants to be but mostly fails at. The story is extremely layered, featuring numerous well-developed characters and subplots that feed into the core narrative without feeling like extraneous diversions. It’s action-packed, emotional, vibrant, relevant, and referential, managing to succeed on every front without the need for overlong episodes or a split season like Invincible . Sure, nostalgia could be a factor, but X-Men is amongst Marvel’s best offerings since Endgame . NICK Like many, I grew up with X-Men: The Animated Series , so it holds a special place in my heart. The moment I started Episode One and heard that theme music, I was overtaken with nostalgia, further taken back to my childhood as I made my way through each episode. The animation, the character versions, the voice work — it’s firing on all cylinders. I’m not sure it’ll land the same for those new to the series, but it will hit for those familiar. It may be some time before we get to see the X-Men enter the MCU, but X-Men '97 will scratch that mutant itch. AMARÚ X-Men ‘97 brought me back to my childhood Saturday mornings, yet aged to gracefully fit modern day. From its modernized animation, to the returning voice-cast and reaffirmed commitment to its themes against prejudice, the show still resonates 24 years after its titular timeline. The action and character-work superbly highlight the extraordinary team dynamics, and not just the ever entertaining Cyclops vs. Wolverine battles. Unlike most X-Men content since the show last ended, every member, new and old, are provided depth and substance to push forward an extremely mature and compelling storyline. I can feel the love that was put into this revival, and that love created utter perfection. KATIE I did not watch the original X-Men: The Animated Series , but this in no way impeded my enjoyment of X-Men'97 . I love the live-action X-Men films, for better or for worse, and it's such a fun experience to see the superhero ensemble in such a well-crafted, compelling story. I was blown away by the vibrant quality of animation that lends itself so well to the scale of the mutant’s powers, the epic fight sequences, and surprisingly mature themes and social commentary. The voice cast is also fantastic, giving deeply emotional and often genuinely moving performances.

WHAT IF...?: SEASON ONE Starring: Jeffrey Wright AMARÚ At first, you think Marvel's What If...? is simply a dream-fulfilling anthology - no stakes or agenda, just enjoy the fan service. Then it gets real dark, complete with real stakes. It makes you want an agenda. By season's end, you're reminded that Marvel always has a plan, and if we get 50 seasons, we'll still be wide-eyed and ready for every episode. This season isn't perfect, though. Early episodes are too short and the humor doesn't always land (sorry, Party Thor). However, the final episodes deliver extremely satisfying pay-offs and maybe the MCU's best action sequences. Gimme more! QUENTIN While it took me a few episodes to get onboard, What If...? eventually turned into a nice weekly distraction that will keep most Marvel diehards at least moderately entertained. Like most anthologies, some episodes are better than others, but they all provide something worthwhile. What's most impressive is that nearly every MCU star provided voice work. On the other hand, the animation can be distracting, a couple episodes end rather abruptly, and some of the dialogue is pretty cheesy (probably for a younger audience since, after all, it is animated). Ultimately, it's enjoyable enough, but not required viewing despite being canon. JACOB From the outset, Marvel's What if...? seemed destined to be nothing more than the ultimate playground for the MCU to test its riskiest ideas, but it soon revealed itself to be taking those ideas extremely seriously and developing them with care. The medium of animation and half-hour-(ish) episodes are the perfect conduit for telling tales of endless imagination and striking maturity, particularly episodes four and six. Although some stories never feel as if they reach full conclusions, the introduction of a series like this counts as another triumph for Marvel studios and demonstrates most clearly why people still love them.

THE DIPLOMAT: SEASON THREE Starring: Keri Russell, Rufus Sewell, David Gyasi, Ali Ahn, Rory Kinnear, Ato Essandoh, Allison Janney, and Bradley Whitford Creator: Debora Cahn QUENTIN All due respect to The Gentlemen and Bridgerton , but in its third season, The Diplomat has further cemented itself as Netflix’s best ongoing original series and the service’s most bingeable offering since You . While I wish this season had focused more on Kate’s (an award-worthy Keri Russell) professional role rather than her marriage to Hal (an equally terrific Rufus Sewell), the two are so intertwined that it never feels like two disparate storylines. The organic connective tissue on that front — coupled with breakneck pacing, palpable stakes, and stellar supporting performances — make for a political drama where the characters are just as compelling as the twisty plot. Check out our reviews for Season Two HERE .

Previous Next March 1, 2022 WRITTEN BY: THE BITESIZE CREW We are proud to present the first ever Bitesize Awards! Similar to the Bitesize Top Five, each writer ranked their Top 10 selections for each awards category. Those lists were then weighted on a reverse point system. After all the points were tallied up, we had our nominations. Finally, we voted on each award. SURPRISE OF THE YEAR *WINNER* TICK, TICK... BOOM! Upon finishing Tick, Tick... Boom! , my jaw hit the floor. Lin-Manuel Miranda's direction isn't just surprising for a first-time film director, but the ingenious way he remixed Jonathan Larson's original, never-before-heard musical numbers from Superbia with newly arranged songs from the Tick, Tick... Boom! rock monologue is something I don't think I've ever seen before in a mainstream musical adaptation. - James CRUELLA Nothing about Cruella ’s marketing made it feel like it was for me, a 40-year-old heterosexual man. However, the killer soundtrack, fantastic costume design, and campy punk rock vibe that permeates the film won me over quickly, proving that you shouldn’t judge a book by its (Disney) cover. - Quentin ZACK SNYDER'S JUSTICE LEAGUE In theory, "The Snyder Cut" was a fun idea that no one expected to come to fruition, let alone be a drastic upgrade on 2017's Justice League . The realization of Zack Snyder's vision is a four hour epic that improves every aspect of the original film and creates one of the best entries in the DCEU. Had this version been the one originally released, it likely would have gotten the sequel it deserved. - Nick FEAR STREET Netflix surprised us all with this bloody gem of a film series by dropping each part of the trilogy week by week, making it appointment viewing for all horror fans! It’s a fun slasher that pays plenty of homage to the genre, featuring stellar kills, heart, and a rad soundtrack. Overall, everyone involved did a killer job! My personal favorite of the year. - Paige PIG The most revolutionary thing about Michael Sarnoski’s brilliant Pig is its innate tenderness. When it begins, one feels a sense of vengeance enter the frame, but that sense soon gives way to a sort of anti-violence. It refuses to turn its main character into a monster, challenging what the viewer might want for him. With Nic Cage’s best performance in decades carrying it all the way through, this love story is sure to make your heart ache. - Jacob BREAKOUT ARTIST *WINNER* JEYMES SAMUEL ( THE HARDER THEY FALL ) In his directorial debut, Jeymes Samuel managed to create one of the best films of 2021, not to mention the best western in at least half a decade. Samuel is clearly influenced by Quentin Tarantino, but The Harder They Fall isn’t just another stylistic ripoff. It feels like Samuel has taken the next step to evolve the QT-style, and I’m here for whatever that means going forward. - Quentin DANIELA MELCHIOR ( THE SUICIDE SQUAD ) Going into The Suicide Squad , I figured we’d get some new vigilantes to join the squad, but not in a million years did I think we’d get one with as much heart as Rat Catcher 2.0. Daniela Melchior shines and steals every scene she is in. Be on the lookout for her because she’s a star in the making! - Paige WOODY NORMAN ( C’MON C’MON ) Joaquin Phoenix is one of this generation's best actors, and newcomer Woody Norman stands alongside him throughout the entirety of C’mon C’mon . Norman brings an authenticity to his performance well beyond his years, and it will be interesting to see where the young actor goes next. - Nick ALANA HAIM ( LICORICE PIZZA ) After viewing Licorice Pizza, you wouldn’t think that this was Alana Haim’s debut performance. The journey of self-discovery that Alana (the character) goes through in this movie is anchored perfectly by Haim, who makes you laugh as well. - Adriano FRAN KRANZ ( MASS ) Not once in Mass does there ever seem to be a misplaced word of dialogue or an ounce of nuance missing. The fact that this is Fran Kranz’ debut script (and directorial debut) makes that notion all the more staggering. Who would have thought one of the stars of The Cabin in the Woods was holding this spectacular screenplay in his back pocket? He created an essential watch for 2021. - Jacob HIDDEN GEM *WINNER* MASS Mass is a special film. The four central performances are beyond spectacular, and the entire script is just so gut wrenching. The film goes beyond the four walls it takes place in with a discussion on a topic rarely tackled in film. It may not make you feel great, but it’s a worthwhile experience. - Adriano BOSS LEVEL Just when you thought another Groundhog Day knock-off would be a forgettable B-movie, Boss Level comes in and smacks you in the face with great action, humor, and a surprising amount of heart. If not for some big blockbusters, this might become your favorite action flick of the year. - Amarú NOBODY If somebody had told me that Bob Odenkirk did an action movie with Christopher Lloyd, I would've thought you were referencing a joke in an episode of Better Call Saul . You can imagine my surprise when I found out Nobody was a real film and is actually bloody hilarious. If you like pastiche violence coupled with dry wit and over-the-top action sequences, this is one hidden gem you need to see. - James PIG A movie about a man and his pet pig may not seem like the most intriguing film of the year, but, my god, if you haven’t seen Pig , you are truly missing out on something unique. This beautiful portrayal of loss and love anchored by Nicolas Cage's raw performance is a must see! - Paige THE OUTSIDE STORY The Outside Story is a grounded and charming film that never feels a need to push for laughs. Brian Tyree Henry steps into the lead role with the same success he's found as a supporting actor, while Sunita Mani (coming off another hidden gem Save Yourselves! ) makes sure to provide the laughs. A real "feel-good" film. - Nick BEST MUSIC *WINNER* CRUELLA Any movie loaded with songs by Queen, Blondie, Iggy Pop, The Clash, Supertramp, The Bee Gees, Nina Simone, and Florence + the Machine, tied together with Nicholas Britell’s excellent score, has to be one of the best soundtracks of the year right?! The music in this film is its own character…a character that simply rocks! - Paige DUNE The first thing one hears in Denis Villeneuve’s Dune is sound. The next thing is music. One thing becomes immediately clear as Hans Zimmer’s masterful score begins to echo through the walls of wherever one views the film – each and every moment, character, and planet have their own unique signatures. One cannot forget the sounds of Arrakis, nor the departure from Caladan, and each sequence in which the music is heavily featured is only elevated by the sounds supporting it. - Jacob THE HARDER THEY FALL The Harder They Fall ’s soundtrack features hip-hop, soul, and R&B, which may seem like obvious and easy choices for an all black western; However, the “how” and “when” those songs are used in the film set the tone perfectly, as well as project the undeniable swagger of a gunslinger in the Wild West, regardless of race. - Quentin THE SUICIDE SQUAD The Suicide Squad blends James Gunn’s badass taste in music with John Murphy’s awesome score with exceptional results. This movie makes “Just A Gigolo” by Louis Prima the perfect song to play over Harley Quinn gruesomely killing people while also having a scene where trillions of rats save the day to the sounds of a phenomenal rock orchestra. Need I say more? - Adriano IN THE HEIGHTS The music of In the Heights varies from energetic ensemble pieces to personal, heartfelt solo pieces. The film successfully brings the music from the stage play to the cinematic sphere with ease. - Joseph LAUGH OUT LOUD AWARD *WINNER* THE SUICIDE SQUAD While action packed and incredibly violent, The Suicide Squad also manages to be flat out hilarious. It’s ability to take extremely dark subject matter and infuse it with hysterical one-liners and an absurd amount of irreverance is unlike anything else released in 2021. Plus, you’ve got a dimwitted, anthropomorphic shark with a dad bod and jorts. What more do you need? - Quentin THE MITCHELLS VS. THE MACHINES I wasn't expecting my biggest laughs this year to come from robot sidekicks, a giant Furby, and a… loaf of bread? But here we are. Consistently funny throughout, this is a film all ages can appreciate. - Nick FREE GUY Ryan Reynolds has not run out of goodwill for his schtick just yet!! Free Guy has legitimate gut-busting laughs and consistent chuckles. Reynolds himself is still a gem, but next to Jodie Comer and Lil’ Rel Howery, the smile never leaves your face. - Amarú DON'T LOOK UP No film used comedy as a weapon this year as much as Don’t Look Up . Adam McKay’s satire shows us the horrifying consequence of our collective denialism, but somehow makes us laugh in the process by simply showing us how silly we are for doing it. - Adriano VACATION FRIENDS John Cena proves himself a comedic tour de force while Lil Rel Howery plays perfect contrast to him. Vacation Friends is endlessly entertaining and filled with constant laughs. - Joseph ADRENALINE AWARD *WINNER* THE SUICIDE SQUAD James Gunn took a property the DCEU had already run into the ground and revitalized it top-to-bottom. But in order to marvel at its heart and laugh at its humor, one has to believe in what’s on screen. Nowhere is it more evident that Gunn believes in the material than in the thrilling action sequences, which are not only some of the DCEU’s best, but some of the best in comic book movie history. - Jacob NOBODY Do you remember the first time you saw John Wick and said “more… give me more”? Well, Nobody puts those words right back in your mouth. Watching Bob Odenkirk whoop all the ass is something I didn’t realize I needed so much in my life. - Amarú DUNE Being a sci-fi film about power, Dune already has your adrenaline pumping. But add in some Spice, and you’re feeling the intensity of this film flowing through your veins. The scope and ambition of this visually thrilling adaptation hooks you and keeps you on the edge of your seat for the sequel. - Paige SPIDER-MAN: NO WAY HOME Spider-Man: No Way Home features the web-swinging fun we've come to expect from a Spider-Man film. However, this time around, the action is epic in scale, while some scenes had me clutching my arm rests in terror. - Adriano BOSS LEVEL With a premise as simple as Smokin’ Aces meets Groundhog Day , Boss Level is a playground of stylized action sequences, featuring gunplay, sword fights, car chases, fisticuffs, and explosions. This movie is a hard rock song in motion. - Quentin NIGHTMARE AWARD *WINNER* A QUIET PLACE PART II By the end of the first A Quiet Place , I wondered how John Krasinski's team could maintain the tension when it seemed like their protagonists were safe. Part II took away that feeling of safety and brought back the nail biting, slow-burn fear from the first film. The opening sequence alone is something straight out of my childhood nightmares. - James FEAR STREET A three part film spanning 300 years from a first time director and featuring a relatively unknown cast is highly ambitious, yet Fear Street absolutely nails it. It's the perfect blend of homage to the films that came before it and an intriguing mystery. Throw in some gruesome kills and this satisfied all my horror needs. - Nick TITANE No film this year made me squirm the way Titane did. While the story is oddly heartfelt, Titane goes hard when it comes to its body horror, daring you to keep your eyes on the grotesque scenes at play. - Joseph DON'T LOOK UP Regardless of how one feels regarding the execution of Don’t Look Up ’s satirical commentary on the real world, there is one thing on which we can perhaps universally agree: it’s a nightmare wrapped in a comedy cloak. When one gets past the humor and absurdism, a lot of what takes place fits with what might happen in the real world around an event like this, and it’s that thought that makes this one of the most terrifying films of the year. Just because the metaphor is obvious doesn’t make it wrong. - Jacob THE NIGHT HOUSE Led by the underrated Rebecca Hall, who delivers a gripping performance, The Night House offers us some of the best atmospheric horror that is both spine chilling and emotional. If you haven’t seen this supernatural thriller, get ready to be spooked! - Paige BEST ENSEMBLE *WINNER* MASS With all four of its main actors giving awards worthy performances, Mass is the ideal ensemble. Jason Isaacs, Ann Dowd, Martha Plimpton, and Reed Birney manage to all stand out on their own while also working with each other seamlessly. Together they provide the most remarkable showing of 2021. - Nick THE HARDER THEY FALL Despite having so many characters and opportunities for weak links, The Harder They Fall ‘s ensemble is probably the best of any Western I’ve seen. Each actor shines in their own way and breathes life into their character. - Joseph THE SUICIDE SQUAD The Suicide Squad is a movie that falls apart if the ensemble isn't game enough to handle writer/director James Gunn’s wackiness. Thankfully, even the smallest characters are scene stealers. It’s genuinely hard to pick a stand out here, as they’re all so much fun to watch. - Adriano DON'T LOOK UP Although I had some issues with the movie overall, absolutely none of those were linked to what the cast was doing. A Murderer’s Row of A-list talent that boasts something like 742 collective Oscar nominations, everyone plays their character with aplomb, which is only made better by the fact that several of them are playing so against type. Meryl Streep doing Anchorman -style improv? Yes, please. - Quentin DUNE There may not be a prettier assembled cast in the last 20 years than what you see in Dune . They’re as beautiful as director Denis Villeneuve’s visuals, but NEITHER hold a candle to how perfect each actor embodies their character. It’s going to be hard to pick a favorite out of the numerous powerhouse performances, so I’ll just say mine was from Javier Isaac Timothee Momoa Ferguson. - Amarú BEST ANIMATED PICTURE *WINNER* THE MITCHELLS VS. THE MACHINES Lord & Miller should probably produce animated features from here to eternity because when they attach their names to one, that film changes the landscape of animated features for the foreseeable future and beyond. Their latest, The Mitchells vs the Machines , is a Best PICTURE worthy story with unique animation and one-of-a-kind characters you will instantly love. - Amarú ENCANTO Encanto made me smile like a doofus the entire time. It’s a beautifully colourful celebration of family and the culture it’s representing, with amazing animation and wonderful, toe-tapping songs. - Adriano RAYA AND THE LAST DRAGON I honestly didn't expect much from Raya and the Last Dragon , but the team behind this film really went the extra mile with their storytelling. Raya 's message of trust in a world divided by suspicion and fear is extraordinarily powerful and particularly relevant amidst the reign of COVID-19 - James LUCA The visuals in Luca show Pixar’s dedication to showcasing different art styles. Whether it be the Italian seaside town of Portofino or Luca’s daydreams, Luca is a feast for the eyes and a smorgasbord of artistic talent. - Joseph FLEE I have never had an animated film inspire or move me in quite the way Flee does. This story could only ever be told in animation, and the fact that it’s a Danish film and a documentary gives it additional hurdles to clear when connecting with audiences – it clears them with ease. It’s masterfully directed, edited, and told at a time when the person telling it could not be more relevant. If Mass is the first of two films in 2021 I would deem essential viewing, this is the second. - Jacob BEST DIRECTOR *WINNER* DENIS VILLENEUVE ( DUNE ) Dune is nothing short of a technical marvel. Denis Villeneuve takes us to a completely different world, one that doesn’t feel similar to what we’ve seen before in any way. Every single aspect of this film is firing on all cylinders from a technical standpoint, creating a once in a lifetime experience (until he does it again with the sequels). - Adriano JEYMES SAMUEL ( THE HARDER THEY FALL ) Jeymes Samuel delivers one of the most stylish westerns I have ever seen, and he is reinventing the genre with his directorial debut The Harder They Fall . Samuel is breaking barriers, and I can’t wait to see what this man has up his sleeve for his next film! Be on the lookout... - Paige EDGAR WRIGHT ( LAST NIGHT IN SOHO ) Wright transports you back in time with this stylish and haunting love letter to the 1960s. His signature style oozes throughout, and he gets fantastic performances out of Thomasin McKenzie and the rest of his cast. Another special film in Wright's selective filmography. - Nick JANE CAMPION ( THE POWER OF THE DOG ) Occasionally, directing is about scale, spectacle, and inspiring a sense of awe. Other times, it’s about control. There is not a single shot, line, or performance in The Power of the Dog that feels as if director Jane Campion sat back and just let it happen. This is very much her story to tell, and in telling that story, one can feel her fingerprints guiding where everything is going. Lucky for us, she’s a master storyteller. - Jacob FRAN KRANZ ( MASS ) It’s not the easiest thing to make a 90-minute conversation visually interesting, but Fran Kranz has done just that. The actors and constantly shifting camera make Mass a must watch. - Joseph BEST SUPPORTING ACTRESS *WINNER* ANN DOWD ( MASS ) Ann Dowd's performance as a mother struggling with both grief and regret is something that’ll stick with you long after the movie is over. Her gut wrenching monologue at the end is more than enough to make this performance one of the year's best. - Adriano AUNJUNUE ELLIS ( KING RICHARD ) King Richard may be the Will Smith show, but no one is as up to the challenge of bringing him down to earth as Aunjanue Ellis. She has one noisy scene where she gets to chew the scenery, but the power of her performance is in all the quieter moments. She’s fully engaged with everything that’s going on in these moments, but never in the way or overpowering the room – a true support if ever there was one. - Jacob RUTH NEGGA ( PASSING ) In Passing , Ruth Negga conveys so much about her character through tiny glances and subtle gestures that she barely needs the classical dialogue that she delivers so eloquently. She creates a beautifully realized character struggling with internal fragility while outwardly projecting confidence as she questions who she really is. It’s not a showy performance, but it speaks volumes. - Quentin ANA DE ARMAS ( NO TIME TO DIE ) With limited screen time, Ana de Armas left quite an impression in the newest Bond film. She was a contrast to the type of woman 007 typically crosses paths with, and by the end of the film, was the most intriguing spin-off option for the franchise. We want more Paloma! - Nick MARTHA PLIMPTON ( MASS ) While Mass is more of an ensemble piece, Martha Plimpton shines as she displays a multitude of emotions and showcases her depth and talent. Plimpton’s performance is truly one of 2021’s best. - Joseph BEST SUPPORTING ACTOR *WINNER* JASON ISSACS ( MASS ) Mass boasts four terrific performances, but for me, Jason Isaacs steals the show. His ability to vacillate between anger and calmness; stoicism and vulnerability; acceptance and denial; and being a man who has all the information yet none of the answers is a masterclass. It’s just a man at a table with his dialogue. Pure acting at it’s finest. - Quentin TROY KOTSUR ( CODA ) Give my man the Oscar now!!! The pure joy, authenticity, excitement, and outright humanity Troy Kotsur puts into his performance in CODA is palpable. There isn’t any actor you will root for more this year and, quite possibly, for years to come. - Amarú JON BERNTHAL ( KING RICHARD ) Jon Bernthal gave the true standout performance of King Richard . While Bernthal typically gives off tough guy machismo, his portrayal of tennis legend Rick Macci is incredibly friendly and likable. It’s a welcome change of pace, and shows that Bernthal can shine outside of the action genre. - Joseph WOODY NORMAN ( C’MON C’MON ) Woody Norman is British - when I learned this, my opinion of his performance grew immensely. Here’s this kid, with such a flawless American accent that no one thinks for a second he’s not from the United States, acting his ass off against one of the most seasoned performers of his generation and the reigning Best Actor winner. Their bond is what fuels the film, and if the child actor isn’t good in a film that’s made or broken on that kind of bond, the film crumbles. Luckily, Woody Norman is not only a great actor – he may have given the best performance of 2021, full stop. - Jacob LAKEITH STANFIELD ( THE HARDER THEY FALL ) There are a lot of tough characters in The Harder They Fall , but no one exudes "cool" like Stanfield's Cherokee Bill. His screen presence is menacing, yet composed and calculated, which just adds to the intrigue of the character. The perfect foil to the Nat Love Gang. - Nick BEST ACTRESS *WINNER* KRISTEN STEWART ( SPENCER ) Each movement, gesture, and breath of Kristen Stewart in the wonderfully realized Spencer evokes Princess Diana to such a degree that one might occasionally forget that they’re watching a performance. It’s such a multi-layered performance that it’s in danger of being taken for granted, but it’s easily a career-best for the former Twilight star. - Jacob NICOLE KIDMAN ( BEING THE RICARDOS ) Nicole Kidman doesn’t immediately disappear into the role of Lucille Ball like some actors do in biopics (Jamie Foxx in Ray , for example), but she’s able to instantly capture Ball’s firecracker essence that hits on a deeper level. She ably bounces between Ball’s onscreen goofball persona and the more in-control, behind-the-scenes person she actually was. By the end, Kidman is gone and all you see is Ball. - Quentin THOMASIN MCKENZIE ( LAST NIGHT IN SOHO ) In her first role as a leading lady, Thomasin McKenzie doesn't miss one single beat. She nails not just the quiet insecurities and growing confidence of the character, but also her absolute terror as she experiences the evil underneath Soho. A mesmerising performance. - Adriano EMILIA JONES ( CODA ) CODA lives and dies on whether the title character can bring you into a world that is so rarely seen on screen, and it absolutely lives through Emilia Jones. An endearing performance that is both joyous and heartbreaking, Jones is the lynchpin that makes CODA ’s heart beat. - Amarú OLIVIA COLMAN ( THE LOST DAUGHTER ) Olivia Colman continues to prove that she is one of the best working actresses today! With an Oscar win already, she may have another on her way thanks to her breathtaking performance in The Lost Daughter . Honestly, Colman doesn’t even need words in a role to shine, as the expressions on her face quietly capture all emotions. - Paige BEST ACTOR *WINNER* ANDREW GARFIELD ( TICK, TICK... BOOM! ) Sometimes it takes the right performance to turn you around on an actor, and that's what Tick, Tick… Boom! did for me with Andrew Garfield. He commands the screen every minute he's on it, whether he's acting or singing, in the best showing of his career. This is the kind of performance that is bound to build his fandom. - Nick NICOLAS CAGE ( PIG ) As you may know, I’m an unashamed Nic Cage fan, but it’s his performances in movies like Pig that remind you he is an Oscar winner and two time nominee. He does the opposite of what you tend to expect from him, giving a restrained performance that makes you feel every bit of his character’s regret, loss, longing, and soulfulness. This should be the start of his resurgence in the public eye. - Quentin WILL SMITH ( KING RICHARD ) Biopic Will Smith is undefeated. First, it was Ali. Then, it was Chris Gardner. And when it comes to portraying the polarizing figure that is Richard Williams, Smith puts his entire soul into it. He is powerful, all consuming, and forceful in every scene because he pours love into every word he speaks. - Amarú SIMON REX ( RED ROCKET ) Simon Rex went from being an MTV VJ to the guy in the Scary Movie franchise to now being in talks for one of the best performances of the year. Rex proves he can act, and Red Rocket helps let that talent shine! He gives a magnetic performance, which is one of my favorites of this year. - Paige BENEDICT CUMBERBATCH ( THE POWER OF THE DOG ) Cumberbatch's performance as cowboy Phil Burbank is a real one-two punch. You'll love Phil and you'll despise him, which is all thanks to Cumberbatch's acting. Starting off as a caricatured, psychologically-abusive misogynist, you'll be surprised at the twists and turns Cumberbatch delivers with this character. - James BEST PICTURE *WINNER* CODA CODA (Children Of Deaf Adults) is, hands down, the best film of the year! It’s a warm and beautiful coming-of-age gem that aims directly for the heart and hits the bullseye! The cast is phenomenal and the story is touching, so get ready to laugh, cry, and everything in between because this film is a love letter to family! - Paige DUNE As a fan of Frank Herbert's seminal novel, Dune is more than I could've ever hoped for in a film adaptation. With a fully realized world where you can see every moving part fit together, Dune is that rare film where every member of the creative team brought something unique and beautiful to the story. No description of this film can do it justice. You have to see it to believe it. - James THE HARDER THEY FALL Cool. That’s all that needs to be said about director Jeymes Samuel’s feature film debut. The Harder They Fall is a thrill ride down to its very core, with effervescent performances, enthralling visuals, captivating music, and a revenge story that keeps your eyes glued to the screen. Every once in a while a piece of art fills your entire spirit, and The Harder They Fall fills it to the brim. - Amarú SPIDER-MAN: NO WAY HOME Between the rumors, the hype, and the sheer fact that it was a new Spider-Man movie, there were impossible expectations for No Way Home . Somehow, it managed to exceed those expectations by being funny, action-packed, and most of all, emotional. It’s an amazing standalone movie and trilogy capper (superhero genre or otherwise), and in the broader context of the MCU, a true game changer too. - Quentin TICK, TICK... BOOM! Tick, Tick… Boom! is something special. My first impression was just that it was a good musical, but as I mulled it over, it really stayed with me. Director Lin-Manuel Miranda really brought Jonathan Larson’s story to life while paying tribute to the minimalist style in which it originated. The storytelling, visuals, and acting are a masterclass on how to adapt and make a film. - Joseph Photo Credits: Photo 1, 2, 10, 14 - Netflix; Photo 3, 8, 11, 12 - Bleeker Street; Photo 4 - Disney; Photo 5, 6 - Warner Bros; Photo 7 - Paramount Pictures; Photo 9 - Chiabella James; Photo 13 - Neon; Photo 15 - Apple TV+

HISTORY OF THE WORLD: PART II Starring: Wanda Sykes, Nick Kroll, Ike Barinholtz, and Mel Brooks Creator: Mel Brooks QUENTIN I haven’t seen Mel Brooks’ History of the World: Part I in maybe 25 years, and while I remember finding it funny, I admit that I was a fairly non-discerning teenager. However, to the discerning adult that I have become, Part II is aggressively unfunny, which is wild given the A-listers that show up. Like any anthology, it can be hit and miss, but even the relative “hits” (a generous term) barely elicit a chuckle, not to mention the skits are oddly repetitive. It’s easy to see why Hulu quietly dumped all eight episodes of this poor man’s Saturday Night Live over four consecutive weekdays. NICK You know that face you make when you give a matter-of-fact smirk, as if to say “ah, I got that reference”? That’s about the best reaction History of the World: Part II got out of me, and it didn’t come frequently. The idea for many of these skits is clever, but that initial cleverness seldom translates into laughs. I'd question whether maybe this just wasn’t for me, but I grew up a fan of shows like Mad TV , and this is barely even a comparison. In fact, this falls much closer to the brutally unfunny Mad TV revival from 2016. ADRIANO As a massive fan of Mel Brooks and History Of The World: Part I , my hype was through the roof when I found out about History Of The World: Part II , and it did not disappoint… for the most part. When it attempts modern references, it falls a little flat, and the meta humor ranges from really funny to a little too on the nose. Still, the vast majority of the series is exactly what I wanted: a bunch of hilariously silly history lessons with a funny cast of characters and cameos. It’s a hard show not to be delighted by. PAIGE While it took over 40 years to receive a follow-up to History of the World: Part I , I’m here to report that this over-the-top sequel is a mixed bag. Fans of Mel Brooks and the movie will definitely have some chuckles here and there, but even with a stacked cast of comedians, History of the World: Part II falls flat due to its bad dad jokes and feeling tedious AF. The only thing this series has going for it besides its fun cameos is its runtime. The 30-minute sketches only work as well as they do because they feel like they are designed as SNL meets Drunk History skits.

THE BABY Starring: Michelle de Swarte, Amira Ghazalla, Amber Grappy, and Albie & Arthur Hills Creators: Lucy Gaymer and Sian Robins-Grace QUENTIN As a person with zero desire to have kids because it legitimately sounds horrible, I very much relate to the premise of horror-comedy The Baby . Parts of it are especially on point, but therein lies the rub: only parts of it work. It’s British comedy, which means there is something of an acquired taste on that front, and there are too many scenes consisting of nothing more than a close-up of the Murder Baby while ominous music plays – both of which make it feel a little too long even by the halfway point. I suspect it would have been better as a 90-minute movie.