Not that it wasn’t always a trope, but it seems like the “unnamed evil entity” has become as synonymous with modern horror as the monkey’s paw. So, standing out amongst the throngs is paramount, and Leviticus does an admirable job with our enemy fighting people over concerns of sexual identity in the face of unyielding religious beliefs. The core partnership of Joe Bird’s Naim and Stacy Clausen’s Ryan is the driving force, along with the bait-and-switches between the characters and the entity impersonating them. It reminded me of It Follows with more of a coming-of-age vibe. Add another Australian thing that could kill you.