There has not been a more punishing watch this year, tonally speaking, than A.V. Rockwell’s devastating gentrification drama A Thousand and One. Although the film is certainly worth watching for the performances alone, especially that of Teyana Taylor, its bleakness throughout can be tough for audiences to want to sit through. It feels a bit long, there’s very little humor, and it could have used at least a few more wide shots instead of mediums. That said, the unique lensing style, as well as Josiah Cross and William Catlett’s truly great supporting turns, are worthwhile for those willing to endure.