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A TALENT FOR MURDER

Starring: Helen Mirren, Alden Ehrenreich, and Olivia Cooke
Director: Anton Corbijn

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NICK

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As much as I love film festivals, they're often overflowing with lengthy films about grief and heavy situations. A Talent for Murder made for the perfect palate cleanser at TIFF because it's just a ton of fun. Helen Mirren is great as challenging writer Patricia Highsmith, but it’s Alden Ehrenreich who really steps up his game, going toe-to-toe with her. Ehrenreich uses his particular mix of charm and savvy to carry the film and present his version of famed literary serial killer, Tom Ripley. I’d like to see him fully step into this role in a full feature, but at least we have this version.

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QUENTIN

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For various reasons but mostly pretentiousness, I haven’t liked any Tom Ripley adaptation. A Talent for Murder changes that. By telling two concurrent stories — one about Patricia Highsmith (a surly Helen Mirren) workshopping her next Ripley book to a publisher (Alden Ehrenreich), the other the re-enactment of said story as it develops between the two (with Ehrenreich also portraying Ripley) — the character becomes far more accessible. It's all carried by Ehrenreich, who gives a career-best performance full of layers and nuance through writing that is appropriately literary. The film isn’t flashy, presenting as both a stage play and childhood storytime, but it’s good old-fashioned filmmaking.

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This film was reviewed by Nick and Quentin as part of Bitesize Breakdown's coverage of the 2026 Toronto International Film Festival and the 2026 Zurich Film Festival, respectively.

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